|. . . Joseph Cornell|
|. . . 1999-10-07|
Steven Elliott, who once told Hotsy Totsy charter member Christina La Sala, "You can have the trains, I'm just going to cut out the sky," is currently sharing a gallery with our good friends Joseph Cornell and Marcel Duchamp at the Berkeley Art Museum.
As if that wasn't enough excitement, Christina and Steven just last night opened up an installation at the San Francisco State University Art Gallery -- a little number they like to call "Invisible Practices." Cholly hopes to host an exclusive interview on the project in the next day or two....
|. . . 2002-01-24|
Photos by Juliet Clark
Scariest sight during last month's visit to Los Angeles was the line of normality-starved families waiting to visit The L. Ron Hubbard Winter Wonderland ("Santa's Home in Hollywood").
Department store Santas are disturbing enough; can you imagine the MEST-scarring trauma of a Scientology Santa? "Well, Jimmy, your free personality test indicates that Santa will bring you EVERYTHING YOU WANT FOR THE REST OF ETERNITY if you'll just stuff these copies of Dianetics in your parents' stockings...."
In Hubbard's holiday homily, note his characteristic replacement of wishy-washy "love" with manly paranoid "trust." That was the true meaning of Christmas 2001, all right: No telepathic mind control, no peace!
The nicest sights were at the Getty Museum's Devices of Wonder exhibition. Gadgets through the ages isn't that novel a curatorial idea, but not many curators get to plunge fist-first into Getty-sized pockets: a Chardin, for example, is casually thrown on as illustrative spice....
As usual in high-concept historical surveys, the contemporary work included seems an ill-advised afterthought. I'm not even sure what they were afterthinking: our investment-oriented rhetoric-privileging high art world pointedly shares neither intent nor craft with infotainment manufacturers. Better to just borrow a corner of the Exploratorium, or fill a plastic tub with boing-boing-ed swag.
On the other hand, the Joseph Cornell boxes fit right in, especially the knock-down twist-around pick-me-up gorgeous "Beehive (Thimble Forest)" -- with silver bells/boughs sadly frozen, though, by the conflict typical of such exhibitions: the fine art museum relies on preservation whereas the artifact relies on manipulation, and they compromise in mere display. Perhaps deep pockets somewhere sometime might be persuaded to provide replicas in the gift shop...?
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